Candy & Cigarettesby CS DeWildt
2011 Vagabondage Press -- Available here
Set in a nowhere town in America, a major backdrop of this relentlessly grim novella is a funfair. Another scene takes place at an amusement arcade. And yet, no one has any fun, and they’re rarely amused. The general store seems to sell primarily alcohol and tobacco, consumed avidly (together with illegal drugs) in order to engender a numb forgetfulness wherever possible.
The central character, a young man named Lloyd, is a social outcast and pretty well resigned to a hopeless existence. He’s being persecuted by ex school bullies whose lives are no less desolate. However, Lloyd is distinguished from almost everyone else by having a streak of humanity – he cares for his terminally ill grandfather. True, there is also Al, the store keeper, who harbours a modicum of sympathy – except, as it is soon revealed, Al was unnaturally cruel as a child. Lloyd, therefore, is the only true innocent of the story and he’s about to be framed by the Police Chief on a scale that I don’t think has been equalled anywhere else in fiction. The school bullies turn out to have been the least of his problems.
Mr DeWildt focuses on society’s failures – those whose lives have disintegrated, who are filled either by rage or a void. It’s a truism, I think, that this milieu is as dreary and dismal in reality as it is boundlessly fascinating in fiction. It certainly gives the author scope to describe nastiness with panache.
This is literary fiction and so the style is not wholly subordinated to the demands of story telling, but has a life of its own. Sometimes, because he’s trying always to be original, the author wanders off into the simply mannered. There is also the occasional rumbling of Old Testament thunder. More often, though, he succeeds in recreating the familiar – making it is own. He favours describing and fixing the physical rather than the emotional. Though, considering the emptiness of the character’s lives, that may be the point.
For me, it is the telling of the tale which is the great achievement here. The back story is deftly woven into the current train of events, making a compact whole. The progress of the narrative is swift and implacable, as befitting a story about fate. Furthermore, there’s a twist at the end which can’t be predicted and yet which is wholly in keeping with the novella’s absolute pessimism. I was left feeling glad I’d read this book.
Recommended.
